https://vanessakauffmanzimmerly.com Vanessa Kauffman Zimmerly Wed, 06 May 2020 21:00:21 +0000 https://vanessakauffmanzimmerly.com en https://vanessakauffmanzimmerly.com/Front-page Fri, 17 Apr 2020 20:40:20 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/Front-page <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a698188ef2f2a9c35fc47b1c720bc21490f93bfe19a288fac81cb3b512d23866/homepage_1.jpg" data-mid="70940493" border="0" src="https://freight.cargo.site/w/1000/i/a698188ef2f2a9c35fc47b1c720bc21490f93bfe19a288fac81cb3b512d23866/homepage_1.jpg" /> https://vanessakauffmanzimmerly.com/01 Fri, 17 Apr 2020 20:40:18 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/01 <img width="1080" height="606" width_o="1080" height_o="606" data-src="https://freight.cargo.site/t/original/i/dc0ca04ac51d7bbf6cc12b4ce4c038c71db501871496346f5a756fa2fa1d8980/Writing_McKenna.jpg" data-mid="67393149" border="0" src="https://freight.cargo.site/w/1000/i/dc0ca04ac51d7bbf6cc12b4ce4c038c71db501871496346f5a756fa2fa1d8980/Writing_McKenna.jpg" /> Three Movements through Klea McKenna’s Witness Mark Essay Art Practical, 2018 Read online Images: Klea McKenna. ALMA, 2017 (stills); single-channel video installation with sound; 16:9, 9:37 min. <img width="1080" height="608" width_o="1080" height_o="608" data-src="https://freight.cargo.site/t/original/i/52c88712ed7287d3d6a6dc61ad96d3ca420419d3f136afc336dc11e6c2341f2d/Writing_McKenna_2.jpg" data-mid="67393373" border="0" src="https://freight.cargo.site/w/1000/i/52c88712ed7287d3d6a6dc61ad96d3ca420419d3f136afc336dc11e6c2341f2d/Writing_McKenna_2.jpg" /> <img width="1080" height="609" width_o="1080" height_o="609" data-src="https://freight.cargo.site/t/original/i/b8472cf96cd7fa83fa0921ad7422cdb56a66c42fdf4e0f127c7be4cb6ae3842f/Writing_McKenna_3.jpg" data-mid="67393389" border="0" src="https://freight.cargo.site/w/1000/i/b8472cf96cd7fa83fa0921ad7422cdb56a66c42fdf4e0f127c7be4cb6ae3842f/Writing_McKenna_3.jpg" /> https://vanessakauffmanzimmerly.com/02 Fri, 17 Apr 2020 20:40:18 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/02 <img width="800" height="586" width_o="800" height_o="586" data-src="https://freight.cargo.site/t/original/i/d4f03e30ff947e0313d35a5a459491d107f2663368906943930f3dd9c834c02a/Writing_Teschner.jpg" data-mid="67393890" border="0" src="https://freight.cargo.site/w/800/i/d4f03e30ff947e0313d35a5a459491d107f2663368906943930f3dd9c834c02a/Writing_Teschner.jpg" /> In the Offing: Gabrielle Teschner ReviewArt Practical, 2016 Read online Image: Gabrielle Teschner. In the Offing, 2016; installation view at Irving Street Projects, San Francisco. https://vanessakauffmanzimmerly.com/03 Wed, 06 May 2020 20:23:37 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/03 <img width="800" height="697" width_o="800" height_o="697" data-src="https://freight.cargo.site/t/original/i/d1b0a77221b7ce5508966cc354db40bdf7d0815839702017fe8906a9ad553dec/Writing_di-Rosa.jpg" data-mid="69954324" border="0" src="https://freight.cargo.site/w/800/i/d1b0a77221b7ce5508966cc354db40bdf7d0815839702017fe8906a9ad553dec/Writing_di-Rosa.jpg" /> Notes from di Rosa: Rock, Paper, Scissors EssayArt Practical, 2014 Read online Image: Robin Lasser. Wall Mural Opens Up Any Space and Gives You That Greater Outdoor Feeling (detail), 1990; Gelatin silver print, 18.25” x 22”. https://vanessakauffmanzimmerly.com/04 Fri, 17 Apr 2020 20:40:19 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/04 <img width="1000" height="664" width_o="1000" height_o="664" data-src="https://freight.cargo.site/t/original/i/d9f5ae5c5a60342d90062080a44bc4e55fa4d546b2f9b46f814e4300d49dca25/Writing_Fernandez.jpg" data-mid="69949676" border="0" src="https://freight.cargo.site/w/1000/i/d9f5ae5c5a60342d90062080a44bc4e55fa4d546b2f9b46f814e4300d49dca25/Writing_Fernandez.jpg" /> Outside of Time: Patricia Fernández Carcedo in Conversation with Vanessa Kauffman&nbsp; InterviewArt Journal Open, 2016 Read online Images: View of Patricia Fernández Carcedo’s studio during her fall 2015 residence at Headlands Center for the Arts, Sausalito, California. Top and bottom right photo by Rebecca Puretz. Bottom left photo by Andria Lo. <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/5c2ef0404c28ca7d02fde477df4f583c747765903c92e943c82e140a53208b3c/Writing_Fernandez2.jpg" data-mid="69951657" border="0" src="https://freight.cargo.site/w/1000/i/5c2ef0404c28ca7d02fde477df4f583c747765903c92e943c82e140a53208b3c/Writing_Fernandez2.jpg" /> <img width="880" height="604" width_o="880" height_o="604" data-src="https://freight.cargo.site/t/original/i/c69595a0ca6143d9df282d146d3ff760524e7b5faa3b90a990740b101596b758/Writing_Fernandez3.jpg" data-mid="69951661" border="0" src="https://freight.cargo.site/w/880/i/c69595a0ca6143d9df282d146d3ff760524e7b5faa3b90a990740b101596b758/Writing_Fernandez3.jpg" /> https://vanessakauffmanzimmerly.com/05 Wed, 06 May 2020 20:33:27 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/05 <img width="1334" height="955" width_o="1334" height_o="955" data-src="https://freight.cargo.site/t/original/i/b8e55b2edd67985b6ee462a797f34c6771a7894267a4d5b5cddf6cf237b1f19a/Writing_Sightlines.jpeg" data-mid="69955297" border="0" src="https://freight.cargo.site/w/1000/i/b8e55b2edd67985b6ee462a797f34c6771a7894267a4d5b5cddf6cf237b1f19a/Writing_Sightlines.jpeg" /> Reading Textile: Vernaculars of Kinship in Discourse and Dress Thesis — Journal AdaptationSightlines, 2014 Read online Images: Top and bottom left image courtesy of personal family archive. Bottom right image: Goshen College Commencement chorus, n.d. Goshen College Informational Services/Audiovisual Materials Photographs, 1958–74. V-4-11. Courtesy of the Mennonite Church USA Archives, Goshen, Indiana. <img width="1196" height="726" width_o="1196" height_o="726" data-src="https://freight.cargo.site/t/original/i/9298361880ca317ae5b2daf33a0fdf7d269714191e8bff5fd8c9280a89aa7e7e/Writing_Sightlines2.jpg" data-mid="69955949" border="0" src="https://freight.cargo.site/w/1000/i/9298361880ca317ae5b2daf33a0fdf7d269714191e8bff5fd8c9280a89aa7e7e/Writing_Sightlines2.jpg" /> <img width="2108" height="1660" width_o="2108" height_o="1660" data-src="https://freight.cargo.site/t/original/i/51f00a9c3de657ffe21a490a8d6b7fc5fe7f061a34705fb9b3e69847913f474c/Writing_Sightlines3.jpg" data-mid="69955951" border="0" src="https://freight.cargo.site/w/1000/i/51f00a9c3de657ffe21a490a8d6b7fc5fe7f061a34705fb9b3e69847913f474c/Writing_Sightlines3.jpg" /> https://vanessakauffmanzimmerly.com/06 Wed, 06 May 2020 20:44:48 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/06 <img width="1235" height="813" width_o="1235" height_o="813" data-src="https://freight.cargo.site/t/original/i/27a90e6f36959a9302690a4f35122e98f8e70ad5a503c3525893d99356d43a7b/Writing_Halprin.jpg" data-mid="69957519" border="0" src="https://freight.cargo.site/w/1000/i/27a90e6f36959a9302690a4f35122e98f8e70ad5a503c3525893d99356d43a7b/Writing_Halprin.jpg" /> What Matters to Us?: A Reenactment of Anna Halprin’s Blank Placard Dance ReviewArt Practical, 2015 Read online Image:&nbsp;What Matters to Us?: A Reenactment of Anna Halprin’s Blank Placard Dance, Saturday, May 16, 2015, San Francisco. Photo: Marco Rivera, courtesy of the Tamalpa Institute. https://vanessakauffmanzimmerly.com/07 Wed, 06 May 2020 21:00:21 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/07 <img width="1080" height="810" width_o="1080" height_o="810" data-src="https://freight.cargo.site/t/original/i/a0dce82d8331b1c1c08b34b7dd2bed3d7d0690d4b5f63821b72d40e16073419f/Writing_PLL.jpg" data-mid="69961278" border="0" src="https://freight.cargo.site/w/1000/i/a0dce82d8331b1c1c08b34b7dd2bed3d7d0690d4b5f63821b72d40e16073419f/Writing_PLL.jpg" /> Public Reading in the Personal Libraries Library EssayArt Practical, 2013 Read online Images: Top:&nbsp;Abra Ancliffe, Personal Libraries Library Stamps. Bottom left:&nbsp;Abra Ancliffe, Personal Libraries Library, 2013. Photo: Micah Fischer. Bottom right:&nbsp;Abra Ancliffe, Personal Libraries Library. Entering the Robert Smithson Personal Library #3, Mazes and Labyrinths, by W.H. Matthews, 2013; poster; edition 200; 8.5 x 14 in. <img width="1038" height="899" width_o="1038" height_o="899" data-src="https://freight.cargo.site/t/original/i/e0980b4d7f7aca85cbb0d8a695e29247c64c450f2f21ba2dc1ccb63ecfbeee2e/Writing_PLL2.jpg" data-mid="69961279" border="0" src="https://freight.cargo.site/w/1000/i/e0980b4d7f7aca85cbb0d8a695e29247c64c450f2f21ba2dc1ccb63ecfbeee2e/Writing_PLL2.jpg" /> <img width="670" height="411" width_o="670" height_o="411" data-src="https://freight.cargo.site/t/original/i/c76f76a1187192fdf1023b8a197b255b4cfd57b61581f07209a2022d47a16edb/Writing_PLL3.jpg" data-mid="69961280" border="0" src="https://freight.cargo.site/w/670/i/c76f76a1187192fdf1023b8a197b255b4cfd57b61581f07209a2022d47a16edb/Writing_PLL3.jpg" /> https://vanessakauffmanzimmerly.com/08 Wed, 06 May 2020 20:12:57 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/08 <img width="831" height="612" width_o="831" height_o="612" data-src="https://freight.cargo.site/t/original/i/58c21af6053568fcf197028e04037a3b81ec1e6f7d44d1591f2932fa01532c4f/Writing_andreview.jpg" data-mid="69952139" border="0" src="https://freight.cargo.site/w/831/i/58c21af6053568fcf197028e04037a3b81ec1e6f7d44d1591f2932fa01532c4f/Writing_andreview.jpg" /> And With a Great Refrain&nbsp; EssayandReview, “Anticipation,” 2013Read online https://vanessakauffmanzimmerly.com/09 Wed, 06 May 2020 20:53:38 +0000 Vanessa Kauffman Zimmerly https://vanessakauffmanzimmerly.com/09 <img width="1246" height="831" width_o="1246" height_o="831" data-src="https://freight.cargo.site/t/original/i/74a83aacec29cb3b1aa623848be68f6cdb0860ec7b3af7ce365506fe89890697/Writing_CJM_large.jpg" data-mid="69959073" border="0" src="https://freight.cargo.site/w/1000/i/74a83aacec29cb3b1aa623848be68f6cdb0860ec7b3af7ce365506fe89890697/Writing_CJM_large.jpg" /> Night Begins the Day: Rethinking Space, Time, and Beauty ReviewArt Practical, 2015 Read online Image:&nbsp;Laurent Grasso. Soleil Noir, 2014; 16 mm film, looped; 11:40. Courtesy of the Artist and Galerie Perrotin.